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Universalist and father of the theorie of metamorphosis
Johann Wolfgang Goethe is on 28 August 1749 in Frankfurt for the
world. He is the first child of parents Johann Casper and Catharina
Elisabeth Goethe.
Through his father he received a cosmopolitan education. He learns
to play the piano, riding and fencing. He is taught by private tutors
in Latin, Italian, English, Hebrew and math. As a 16 year old he
began studying law in Leipzig. But instead of studying law, he focuses
more on the "belles lettres".
After completing his studies in 1772 Goethe is a lawyer in Frankfurt.
But he devotes itself mainly to the literary work: It provides the
drama "Götz von Berlichingen. With this work, he becomes
a co-founder of the "Sturm und Drang in Germany.
1774 published the novel "The Sorrows of Young Werther,"
in which he writes his own love suffering of the soul. The novel
is such a success that Goethe from now one of the most famous writers
in Germany.
At the invitation of Prince Carl August 1776 Goethe traveled to
Weimar, where he enters the government service and worked as a secret
Counselor. At the court of Duchess Anna Amalia he meets the Lady
Charlotte von Stein. Charlotte von Stein has a great influence on
Goethe, in her presence, he learns to be moderate. For ten years,
joining the two an intimate relationship. This is reflected especially
in the more than 1,700 letters to his "soul mate" expression.
In 1779 Goethe is privy and took over the management of various
Commissions.
In recognition of his achievements in government service he receives
1782 the nobility, the Duke also gives him the house at Frauenplan,
where Goethe lived until his death. During these years Goethe began
intensively engaged with the science. In his morphological and anatomical
studies, Goethe discovered the intermaxillary 1784 on the human
skull, a discovery that documented the close relationship of man
with animals.
On his trip to Italy (1786-88) Goethe has varied scientific studies
on rocks and plants. After his return in 1790 Goethe "The Metamorphosis
of Plants" published.
As in 1788 returns from his trip to Italy he met the simple girl
Christiane Vulpius. He breaks his connection with Charlotte von
Stein and start a common law marriage with Christiane Vulpius. Professionally,
he focuses on the artistic and scientific institutions in Weimar
and Jena, and taking on more and more cultural activities. Thus,
the "Court Theater, whose general manager he has since 1792,
under his leadership, the most prestigious German stage. Since the
program's structure is modern and varied, so that Goethe speaks
to a large audience.
From 1795 Goethe and Schiller are working closely together. This
creative period of 10 years later became known as "Weimar Classicism."
In this decade, major works appeared, such as the ballads of the
"Sorcerer's Apprentice" and the "treasure hunter"
and the play "Herman and Dorothea." When Schiller died
in 1805, is thus the time of the classical end. The following year
Goethe married Christiane Vulpius after he was romantically involved
with her for 18 years and she already had several children together.
Through the prism of a friend Goethe noticed the colorful gradients.
Fascinated by his observations, he leads by further experiments
and creates a circle. In his experiments, he discovered weaknesses
in Newton's theory. He feels that Newton's description of light
is wrong. On the publication of his Theory of Colors in 1810, the
reactions of the scientists is low. Since his color studies, was
very keen Goethe, Goethe is profoundly disappointed by the lack
of reaction.
With the defeat of Napoleon at Waterloo is Saxe-Weimar-Eisennach
to Grossherzogstum. Thus Goethe receives the management of all institutions
of the duchy, and Culture Minister. After 23 years seems to 1831,
the second part of the drama "Faust". It is the last work
which Goethe ended.
Goethe died on 22 March 1832 after a brief illness in Weimar. His
mortal remains were on 26 March buried in the royal crypt.
***
In his last two years (1830 and 1832) Goethe wrote a famous treatise
on the controversy that erupted in the French Academy was at a presentation
held by Geoffrey de St. Hilaire. This last work of Goethe had for
him a central role, which may show the following anecdote: Frédéric
Soret Goethe visited on 2 August 1830, when just get the news about
the July Revolution in Weimar. "Well, he called out to me what
you think of this great event?" The volcano has erupted, everything
is in flames, and it is also not a negotiated behind closed doors!
" In Goethe does not mind talking about the July Revolution.
Goethe has witnessed the negotiations at the Academie in Paris as
a landmark in the history of ideas, which he feels Geoffroy St.
Hilaire as an ally against the rigid ideas of Georges Cuvier, and
in favor of plasticity, metamorphosis.
Even with his work on the Metamorphosis of Plants (1790) Goethe
took up the basic ideas of the theory of evolution and organic plasticity
detected in the plant kingdom. Goethe shows in this paper that the
various elements can be regarded as the flower metamorphoses of
leaf organ.
Goethe has achieved something similar with his theory of vortices
(1824), in which he tries to show that the cranium of vertebrate
animals consists of Wirbelmetamorphosen. This theory is discussed
today under the name of Goethe Onkensche vortex theory.
Decidedly Goethe takes for the teaching of evolution and the evolutionary
relationship of all living things in his party research on the premaxilla
(1784). The two premaxillae bear in mammals, the four upper incisors.
Anatomists from the time of Goethe and previously thought in the
absence of the paired premaxillae occupy the most important difference
between animals and humans can too. By proving the Os incisivi humans
Goethe clearly demonstrates the relationship between man and mammals
and represents the people as not near but in the range of organisms.
Metamorphosis of the animals (1795)
...
Zweck sein selbst ist jegliches Tier, vollkommen entspringt es
Aus dem Schoss der Natur und zeugt vollkommene Kinder.
Alle Glieder bilden sich aus nach ewgen Gesetzen,
Und die seltenste Form bewahrt im Geheimen das Urbild.
So ist jeglicher Mund geschickt, die Speise zu fassen,
Welche dem Körper gebührt, es sei nun schwächlich und
zahnlos
Oder mächtig der Kiefer gezähnt, in jeglichem Falle
Fördert ein schicklich Organ den übrigen Gliedern die Nahrung.
Auch bewegt sich jeglicher Fuss, der lange, der kurze,
Ganz harmonisch zum Sinne des Tiers und seinem Bedürfnis.
So ist jedem der Kinder die volle, reine Gesundheit
Von der Mutter bestimmt: denn alle lebendigen Glieder
Widersprechen sich nie und wirken alle zum Leben.
Also bestimmt die Gestalt die Lebensweise des Tieres,
Und die Weise zu leben, sie wirkt auf alle Gestalten
Mächtig zurück. So zeigt sich fest die geordnete Bildung,
Welche zum Wechsel sich neigt durch äusserlich wirkende Wesen.
Doch im Innern befindet die Kraft der edlern Geschöpfe
Sich im heiligen Kreise lebendiger Bildung beschlossen.
Diese Grenzen erweitert kein Gott, es ehrt die Natur sie:
Denn nur also beschränkt war je das Vollkommene möglich.
...
Two further texts of Goethe
Eine innere ursprüngliche Gemeinschaft liegt aller Organisation
zugrunde; die Verschiedenheit der Gestalten dagegen entspringt aus
den notwendigen Beziehungsverhältnissen zur Aussenwelt, und
man darf daher eine ursprüngliche, gleichzeitige Verschiedenheit
und eine unaufhaltsam fortschreitende Umbildung mit Recht annehmen,
um die ebenso konstanten als abweichenden Erscheinungen begreifen
zu können.
Dies also hätten wir gewonnen, ungescheut behaupten zu dürfen:
dass alle vollkommnern organischen Naturen, worunter wir Fische,
Amphibien, Vögel, Säugetiere und an der Spitze der letzten
den Menschen sehen, alle nach einem Urbilde geformt seien, das nur
in seinen sehr beständigen Teilen mehr oder weniger hin- und
herweicht, und sich noch täglich durch Fortpflanzung aus- und
umbildet.
The Work
"Sturm und Drang"
Lyrik
Götz von Berlichingen (1771/73)
Clavigo (1774)
Die Leiden des jungen Werthers (1774/87)
Urfaust (um 1774)
Stella (1776)
Wilhelm Meisters theatralische Sendung (1777/1911)
Weimarer Klassik
Iphigenie auf Tauris (1779/87)
Egmont (1774/88)
Torquato Tasso (1780/90) Über den Zwischenkiefer (1784/1831)
Faust, ein Fragment (1788/90)
Die Metamorphose der Pflanzen (1790)
Reineke Fuchs (1794)
Römische Elegien (1795)
Venetianische Epigramme (1795)
Wilhelm Meisters Lehrjahre (1795/96)
Hermann und Dorothea (1797)
Balladen (1797)
Faust. Der Tragödie erster Teil (1797/1806)
Die natürliche Tochter (1804)
Achilleis (1808)
Die Wahlverwandtschaften (1809) Zur
Farbenlehre (1810)
Pandora (1810) The Age Work
Aus meinem Leben. Dichtung und Wahrheit (1813/33)
Sonette (1815)
Des Epimenides Erwachen (1815)
West-östlicher Divan (1819)
Wilhelm Meisters Wanderjahre (1821/1829)
Die Campagne in Frankreich (1822)
Trilogie der Leidenschaft (1823/1829)
Dornburger Lieder (1828)
Italienische Reise (1829) Über
die Spiraltendenz der Vegetation (1829/31)
Faust. Der Tragödie zweiter Teil (1831/33)
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